Repositório RCAAP

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JOACHIM, H. H. A study of the Ethics (Ethica ordine geometrico demonstrata). Oxford: Clarendon Press, 1901, Book III,  Cap. 4, pp. 292-309.

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The main objective of this article is to understand what is beautiful in poetry from the philosophical perspective of Benedito Nunes based on the poems of Carlos Drummond de Andrade. Specifically, we will take the path that some philosophers made in their discussion of what is beautiful, and then demonstrate how Heidegger's thought influenced Benedito Nunes 'philosophical way of thinking and finally demonstrate how poetry expresses the sensitive world by Carlos' poems. Drummond de Andrade, realizing the relationship with the philosophical and literary aspects and how Belo is configured in this context. To achieve the objectives, we opted to carry out a descriptive and bibliographic research, following the theoretical path of Benedito Nunes, from the work Crivo de Papel (1998). The research dialogues with two major human areas Philosophy and Literature are interconnected when we talk about poetry, and how the Beautiful as it is present in a particular way in our sensitive experience.

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The text presents an attempt to understand, within the framework of Hannah Arendt's thought, her refusal to be called a philosopher, and relates this circumstance to her experiences in Germany during Nazism and her intention to reflect on politics in a context in which tradicional responses are no longer able to provide guidance. Taking into account the relationship, identified by Arendt, between the absence of thought and evil, it investigates whether the faculty of judgment, released by thought, can be affected not only by thoughtlessness, but by the radicalization of the very conditions of thinking.

Given that the material conditional can be true in three different situations, an empirical datum can confirm different conditionals. In fact, the same datum can confirm even conditionals that appear to be in contradiction with each other. By means of an example presented by Khemlani, Byrne, and Johnson-Laird, this issue is addressed below. To do that, the present paper resorts to the concept of reduction sentence offered by Carnap. The conclusions refer to the idea that, if this last concept is assumed, the problems of the confirmation of the conditional seem to disappear. This is, at least, as far as the example dealt with here is concerned.

In her political theory, especially in her work On Revolution, Hannah Arendt not only analyzed and discussed the sense and meaning of revolutions (especially French and American) and criticized the functioning of representative democracy based on the system of political parties, but also highlighted councils as propitious spaces where men can act through action and discourse , in the presence of their peers and to occupy together the political life of their country. In this article, the main objective is to analyze the birth of these councils in the light of Hannah Arendt’s political theory, as true spaces of freedom that have always emerged in the course of great revolutions spontaneously and outside the scope of political parties or any leader andthat can provide citizens with conditions for effective political participation.

Baggini and Stangroom (2006) informally introduce the notion of tension in the system of beliefs of a person. I propose a formalization of this notion in the Classical Sentential Logic; it results in measuring the tension of a set of sentences. This formalization uses the notion of semantic information.

The objective of this paper is to pay homage to the memory of Benedito Nunes, considering the ten years of his death. Our intention is to highlight your role in the creation of the Philosophy course at the Federal University of Pará, your commitment to the composition and training of the course's faculty, as well as to its growth and quality. We will also recall some aspects of his performance as a teacher of the course and trainer of the new generations that followed him.

Starting from the reception of Oswald de Andrade's work in Benedito Nunes' critique, the text reflects on the paths of training in philosophy in Brazil, recovering some key texts by the philosopher from Pará. With this, we intend to point out some paths opened by its innovative perspective of bringing together philosophy and poetry within a Brazilian context.

In An Apprentice or the Book of Pleasures Clarice Lispector employs elements of Greek Mythology in the composition of the protagonists of her drama, as we can see in the direct allusion of Odissey XII, where Odysseus escapes the seduction of the siren’s songs by binding himself to the masthead of his ship. In the claretian drama, the search for the self, starting from the other, is the link that both unites, divides, and reverses the Homeric characters, being Loreley the siren who teaches her charms to Ulisses, the teacher of philosophy, who thus turns from seducer to apprentice. To comprehend the poetic-philosophical core of the process of recognition of the consciousness of both characters that surfaces and then is recomposed, I shall revisit the analysis made by Benedito Nunes in both O Drama da Lingaguem and O Dorso do Tigre.  

The Present work has for objective to present some reflections regarding thematic in question, taking for base the inaugural lesson presented by the professor Benedict Nunes in April of 1999, involving a phase daily pay-college student and the existence of a local intelegentsia in the Amazônia, inspired for the regionalism, and that it, influenced of decisive form the creation of the Federal Univrsity of Pará.

The article discusses how the concepts of symbolic and Law appear in the construction of Judith Butler's theory of gender. It explains how the author uses the concept of prohibition as a framework for analysis, so that an inflection between her thinking and psychoanalysis is produced. In addition, it analyzes how the articulation between the psychic and power is carried out in Butler, when she establishes a dialogue with Michel Foucault. Thus, based on a proposition that mixes aspects of the psyche with dynamics of the functioning of power, Butler performs a re-reading of traditional Lacanian theorizing about the symbolic, with the purpose of making visible processes of resistance that allow the reconfiguration of the symbolic and of culture, an undertaking that it can be approximated to that carried out by Deleuze and Guattari, although Butler refuses a theoretical approximation with these authors.