Repositório RCAAP

Fundação de Amparo a Pesquisa do Estado de Minas Gerais

Fundação de Amparo a Pesquisa do Estado de Minas Gerais

Coordenação de Aperfeiçoamento de Pessoal de Nível Superior

Conselho Nacional de Desenvolvimento Científico e Tecnológico

Conselho Nacional de Desenvolvimento Científico e Tecnológico

Coordenação de Aperfeiçoamento de Pessoal de Nível Superior

Coordenação de Aperfeiçoamento de Pessoal de Nível Superior

Conselho Nacional de Desenvolvimento Científico e Tecnológico

Universidade Federal de Uberlândia

The present work has as objective to analyze the trajectory of the actor and Brazilian director Fernando Peixoto, as teatral critic, in the alternative press , specifically, in two periodic ones: Opinião, between 1973 and 1975, and Movimento, between 1975 and 1979. We search to understand the character differentiated of the alternative press during the period of the Brazilian military regimen, the heterogeneity of its proposal, its relation with the sectors of opposition of the country and the meaning politician to be part of this journalistic segment. The critical ones of Peixoto, in both the periodicals, are important documents to apprehend strike them that they occurred in the Brazilian theater: the artistic trends in dispute, the new forms of expression and resistance under the sign of the censorship and, mainly, the meaning of the enrollment of the critic for a politically responsible, transforming and conscientious theater of its function in the fight for national and popular aspirations.

Coordenação de Aperfeiçoamento de Pessoal de Nível Superior

Fundação de Amparo a Pesquisa do Estado de Minas Gerais

Coordenação de Aperfeiçoamento de Pessoal de Nível Superior

This research has as its theme Non-Governmental Organizations and their emergence as agents of civil society organizations in the reform of the Brazilian state, especially from the mid-1990s, during the government of President Fernando Henrique Cardoso. Assume that the Brazilian State is not a finished product but, rather, has always been in recasting, is to serve the interests of groups in power - in democratic periods (or almost) and in periods of exception - or search for greater efficiency and impersonality in weberian molds. However, the wider reform in recent decades by the protagonists MARS - Ministry of Federal Administration and Reform of State - for the first government of Fernando Henrique Cardoso (1995/1998) has brought a new element within the project of decentralization and reduction of State: the option of partnership with Civil Society, especially in the social area. The state acting as donor or public policy-makers and NGOs as providers of on-site actions to address specific situations and specific, that is one of the main features of the NGO-State. The action of these entities, many of which related to religious groups, political or business, coincided with the decline of traditional activities of social movements, has noticed this phenomenon since the end of the 1980s and that, according to some analysts, is the result the actual performance of the NGOs To better understand the relationship between NGOs and the State, there was a need for a review of regulations governing the granting of state subsidies in the three levels of government - federal, state and municipal levels - without losing sight of how their own bodies and Society calendar with a whole, see the possibility of a regulatory framework more efficient in that area.

In the present study we analyzed the violence against women in the city of Montes Claros during the period between 1959 and 1983. Through the reading of lawsuits and oral sources and having as the theoretical referential the gender studies, we searched to notice how the relationships were organized in the domestic interior, on what ways violence occurred and how these were treated by the justice. Oral narratives of women who work as maids and lawsuits of body lesion, rapes, violent attempt on shame, homicide, theft and infanticides were analyzed under a feminist perspective. We perceived a preponderance of bosses (men and women) as defendants in the lawsuits analyzed. It became perceivable during the research that the gender conceptions imbricate to the ones of class and ethnic group created asymmetries and based various forms of violence between maids and their bosses (men and women).

The investigation aims to build a dialogue between art and society, from the reflection of the dramatic texts Medea of Euripides (431 BC), Medea Oduvaldo of Vianna Filho (1972), and Gota D água by Chico Buarque and Paulo Pontes (from 1975), including how the idea of tragedy is redraw with the movement of two different historical periods: the ancient Greece and Brazil in the 1970 s. These are two of the Brazilian reappropriate tragic piece of Euripides, in order to build a critical reasoning about the economic miracle of the military dictatorship, its authoritarianism, and the dynamics of a capitalist system that required more social inequality. The written works were analyzed, along the verses and songs from Gota D água main subject of this work. The musical theater of the brazilian s dictatorship period was taken into account for the approach of the play, beyond the development of her show the years 1975 to 1977 by director Gianni Ratto, in Rio de Janeiro and São Paulo. Understood the career of the authors, Vianinha and Ratto to find their esthetic and political ideas during this historic moment. To investigate the production, the program part of the show and the photos were relevant points in the research. Similarly, an examination was necessary on the categorical assessment that the critics had of Gota D água, indicating their views about a theater actually engaged for the period, holding a position that the staging of the play was what they called commercial ; big theater , and therefore only business, as was done in large rooms for shows. In the historiography of brazilian s theater, even with success in public, this work has been characterized as replication of the speech of the government s power for many intellectuals.

This work intends to conduct a study on the show A Engrenagem (1948) of Jean- Paul Sartre, staged in Brazil in 1960, under the direction of Augusto Boal. In this context it is appropriate to mention that I chose as the theme of the research scenario part of A Engrenagem of J.-P. Sartre held by the Grupo Oficina in 1960. the number A Engrenagem tells a story of struggle and controversy, which breaks a revolution that overthrew a dictator of a Latin American country. Jean Aguerra, a former revolutionary, he became a dictator, as fitted pressures peculiar to crush left the gear that he helped create. This research, therefore the main objective is to propose a rereading of the 1960s, through aesthetic experiences and policies of the Grupo Oficina, in light of the Sartrean drama (Jean-Paul Sartre). The first chapter deals with the reconstruction of the historical context of time (years 1950 and 1960) in which the event staged by A Engrenagem and the visit of Jean-Paul Sartre to our country, investigating the reception, impact and influence about ideas as well visit itself, of Sartre, in the middle of Brazilian s intellectual life. The intent of this chapter is to sign them and mark their relationships and overlaps in the historical context of the production of A Engrenagem in 1960. The second chapter deals with analysis of the structure and the proposed theme of the text, as well as the mounting part amid questions of form, content and adaptations. Then seek to recover the historicity of this scenario through its receipt by theater critics at the time. The third chapter discusses the broader relationship between philosophy and literature (fiction of Sartre) in Jean-Paul Sartre addressing the specifics of the Theater of Situations.

Cette étude se propose d'explorer le sens de l'action directe et son rapport à l'anarchisme. En premier lieu, rapprocher l'élargissement du champ politique en utilisant le modèle de la guerre forgé par Foucault dans ses écrits sur la gouvernementalité. Mon but a été de comprendre l'action directe comme une action politique différente de la conception libérale. Dans ce sens, j'ai cherché appuyer la recherche dans la pensée des théoriciens et militants anarchistes, comme Proudhon, Bakunin, Malatesta, Pelloutier, Pouget et d´autres. Cette démarche m´a permis de mieux compreendre le réseau de significations et résonances de l'action directe dans le mouvement des travailleurs, et en particulier dans le syndicalisme révolutionnaire et le mouvement anarchiste. Ensuite, l'analyse s´est tournée vers les écrits de Malatesta, surtout ceux qui ont caractérisé l'anarchie comme une organisation politique qui refuse certains types d´autorité et cherche une utilisation éthique de la violence. Cette recherche discute l'action directe en tant qu´une stratégie à la fois éthique et politique, qui met en place autant la violence que la persuasion ; c´est par l'éducation, la propagande, le boycottage, le sabotage et les révoltes diverses que ces deux dispositifs politiques (la violence et la persuasion) se rapportent l´un à l´autre. Enfin, l'étude approfondie de l'action directe permet la compréhension du politique au-delà du champ tracé par la démocratie libérale.

The work in screen seeks to think about the problem, in a process of constitution of the city of Uberaba, between 1865 and 1935, the social relationships schemed among the different social groups, which contributed to hide the participation certain agents. In that sense, I pursue the memorial writers registrations close to, historiography, municipal legislations and press place, the produced historical tracks and that send us the disputes for spaces in the city that involved the individuals with manners of living had as incompatible to the ideals built by the groups in the power of the place. In other words, project to give visibility to the social actors that in rule, were part of the popular layers of the city and that linked to the practices had as condemnable; such as: the "vagrancy", the alcohol, the game and the prostitution, which had his/her invisibility built in the memoirs and histories of the city, since, due to their manners of living discordant, could hinder the "formatting" of Uberaba of the dreams.

This master's degree dissertation looks for to understand the political and literary expression produced by Pessach: Carlos Heitor Cony crossing. It is treated of a committed romance politically that was bound initially in 1967. Through their characters' conflict the work approaches a typical dilemma of the sixties and 70: the engagement in the armed combat against the dictatorship. In that sense, the work relates the historical context with Cony's literary production, looking for to identify in the narrative elements that it composes partner-cultural aspects of the years 60. That involves the author's professional path, the process of artists' typical political engagement and intellectuals, the armed combat of sections of the left, the retaliation of Party Brazilian Communist to the romance Pessach and the reception of the work in the Brazilian press of the sixties and 90. The interdisciplinaridade proceeds as essential base for that research. In that way we based our perspectives in the methods of the New cultural history, for understanding that slope as a vast field that offers us contributions to compose the proposed relationships.