Repositório RCAAP

This thesis presents an analysis on the correlation between the works of the contemporary art collection of the Inhotim Institute and the environment. Inhotim is considered the seat of one of the most important museums of contemporary art in Brazil, also recognized as one of the largest outdoor art centers in the world, as an important physical, architectural, cultural and environmental heritage. In it, exposed works of art are inserted in the environment, in a process of dialogue with nature, present in a forest reserve that was an old farm. In this way, the relation of the works with the environment in Inhotim, in terms of a dialogue, occurs from a process of integration and dialogue that also involves tensions, oppositions and contrasts that the work-environment dialogue itself proposes, through a place marked by dense vegetation and natural beauties, with artistic works, elaborated from installations, sculptures, videos, performances, paintings, murals, among other forms of expression, that seek to explore the different languages of art. Based on this assumption, this research presents basically three methodological approaches. These are: the bibliographic research method, the case study method and the field research method. The analysis is introduced through the presentation of a case study, which seeks to address the main aspects that identify and characterize the Inhotim Institute, which can be understood, within this methodological approach, as a source and object of analysis, when we dedicate ourselves to the study of its history and the production of its narratives. The main objective of the research is to analyze contemporary works of art from the Inhotim collection, proposing, through the methods of bibliographic research, case study and field research, with the collection of data, to verify the possibilities of relations between the works and the environment. It is relevant to point out that, from the perspective of the researched literature, concepts about contemporary art, about aesthetic enjoyment and about the perceptive and sensitive approach of the work of art are presented through a theoretical framework that was developed based on reflections presented by such as Archer (2012), Eco (2008), Argan (2010), Fischer (2010), Gombrich (2004), Heidegger (2014), Merleau-Ponty (1999), Taylor (2005), among others.

Fundo Mackenzie de Pesquisa

Theoretical reflections and images/photographies approach in this research the complex domain which involves the visitors and art exhibition museums in Brazil and abroad. Based on research methodologies in Arts (Róldan & Marin-Viadel, 2012), single images or compound as photoshoots are considered a mode of knowledge and foster studies and reflections. Apart from the dialogue among images, the experience lived and the thought of scholars from different areas, the lightness of poetry and metaphors is also included in this work as well as reflections from contemporary art and Art history. Some issues concerning the contemporary scenario which can impede the meeting between the individual and art are discussed, such as excess, spect cle, consumerism, speed, tourism. These issues constitute what was named as penumbra and nourish the attitudes of the fugitive subject visitors. There must be both for the visitor and the researcher an openness for the aesthetical experience, land of the pilgrim, in order to unveil penumbra, ambivalence, maze and twilight. This openness inspires the research as a path of pilgrimage in order to search for the understanding of the complexity of phenomena and the poetic work of capturing the images shots at the exhibitions. This research of phenomenological nature adopts the theoretical framework of authors who reflect upon contemporaneity, such as Calabrese (1988), Bauman (2001); as well as authors who value sensibility and experience, such as Bachelard (1988), Dewey(2010), Merleau-Ponty(1975), Ferreira Santos (2005), Maffesoli (1998).

Fundo Mackenzie de Pesquisa

Research Objeticve: The objective of this applied research is to develop and propose a work methodology based on agile methodologies for the delivery of the tax ancillary obligations of SPED in the Demanding Company. Design / Methodology / Approach: This study is classified as an action research, with a qualitative approach based on observation and survey on the current methodology of elaboration and delivery of SPED's ancillary obligations and its main problems on DC Practical implications: The practical implications of this research are related to the use of a work methodology based on agile methodologies in teams of interdisciplinary and selfmanaged characteristics, aimed at the continuous improvement of the processes for the elaboration of the accessory tax ancillary of the DC. Originality and Contributions: The new agile fiscal methodology will allow the DC to reduce the problems of elaborating SPED's ancillary obligations, improving communication between employees, cooperation between teams and improving control of personnel costs and deadlines for preparing and delivery of ancillary obligations. Results: The results of this research in the delivery of ancillary obligations of SPED are: reduction of overtime, compliance with ancillary tax obligations related to SPED within the period determined by law, improvement in the quality of information on ancillary obligations and reduction of tax penalties in the DC.

This doctoral research project is a study of the critical texts of Pietro Maria Bardi on design exhibitions that took place at MASP, Museu de Arte de São Paulo Assis Chateaubriand, the period in which he was director. The study was conducted from exhibition files and they have served as a source : newspapers, magazines, books and catalogs. The research has sought to understand the importance of Bardi and his avant-garde conception of design in Brazil. The work also intends to review, through the speeches of Bardi, questions about art, craft and design and how these connections have been articulated by him in museum shows and their rehearsals.

This work has the objective to show a possible interpretation of the play Once Five Years Pass written by Federico Garcia Lorca. This interpretation concentrate on the main character called Young Man and his relationships throught the play. This play has not been the focus of the literary critic. Therefore, my interpretation concentrate on the study of Alfredo de La Guardia and Francisco Ruiz Ramón. They agree that Lorca used Sigmund Freud’s theory in the construction of the play and the characters, mainly, Young Man. As a result, this work shows that all the relationships that the main character has are introjections of the reality that he lives and this introjections gives him the posibility of growth. The interpretation about this play also brought enlightment about the author’s creation process and his way of thinking and acting in the modern theatrer. This work also brought enlightment about the human development and how it overcomes the obstacles in life.

Fundo Mackenzie de Pesquisa

Rehabilitation strategies of watercourses in the territories informal of the processes of urbanization is the focus of this dissertation, which intentions to study concepts, methodologies and recent cases for the rehabilitation of informal territories along waterways. Based on the studies of two specific cases, one in São Paulo and another in Manaus, this study aims to discuss and understand the possibilities of urban and environmental qualification of critical and sensitive areas of these places. It is expected, therefore, to contribute to the process of a more sustainable urban development, specifically in the rehabilitation of the territory through the connection between man, city and nature.

Coordenação de Aperfeiçoamento de Pessoal de Nível Superior

Este trabalho tem como objetivo analisar a conformação da Avenida Dr. Ricardo Jafet, a partir de seu caráter infraestrutural e dos traços urbanos e sociais que constituíram esse território. Portanto, pretende-se compreender o histórico dos bairros que a margeiam – a Vila Mariana e o Ipiranga; a maneira como a várzea foi ocupada por grandes equipamentos comerciais destituídos de relações urbanas; e os patrimônios ambientais que envolvem esse lugar, sendo eles o Córrego Ipiranga e o Incinerador Vergueiro. No mais, a pesquisa alcança conceitos imediatamente rebatidos tanto nas análises do território, como na proposta de projeto: os tempos na cidade contemporânea, a paisagem urbana e a dimensão humana. A tese apresentada no presente trabalho é que, para além do espaço do fluxo e da austeridade, as áreas lindeiras à Avenida também devem ser lugar para permanência e alteridade, em defesa da dimensão pública e do direito à cidade.

Coordenação de Aperfeiçoamento de Pessoal de Nível Superior

Instituto Presbiteriano Mackenzie

Instituto Presbiteriano Mackenzie

Fundo Mackenzie de Pesquisa

Este trabalho busca a partir de perspectivas urbanas proporcionadas pelo Elevado João Goulart, em um contexto de vivência e convivência, intensificar a relação das pessoas com o centro da cidade de São Paulo. As perspectivas transcendem o plano visual com a leitura da paisagem da cidade, repleta de cheios e vazios, formas e acontecimentos.

Fundo Mackenzie de Pesquisa

Universidade Presbiteriana Mackenzie

his work will present an international permanent Courts or Courts in force, with the definition of its competencies and an analysis of its structure, indicating the need to build new instances to face macro-crime, represented by transnational criminal organizations, which is a concern that affects democracy, the social and economic development of nations, the quality of life and the financial equilibrium of national states. The process of globalization was intensified by the development of new technologies, the internet, the reduction of transport and communication costs that integrated people, overturned geographic barriers, brought cultures closer together and spread knowledge, but also produced negative effects. These include the deepening of connections between criminal groups, which previously acted territorially, and now act in a transnational connection, making it difficult to investigate and criminalize criminal liability because of the obstacles created by differences between legal systems. In this sense, we propose the creation of the Mercosur Criminal Court (COPEM), re-signifying the concept of sovereignty in order to effectively ddress macro-crime, based on solidarity among States, respect for internationally recognized fundamental human rights and the internationalization of the instances of confrontation, since this public problem is multifaceted, globalized and inter-relational. In this context, the study of the expansion and multiplicity of international tribunals leads us to understand this phenomenon that has consolidated through permanent instances of inter-state conflict resolution and reduction of international crime impunity, with the objective of consolidating the rule of law in the local spheres, regional and international. To understand the phenomenon, three issues will be discussed in parallel. The first: Is compulsory international jurisdiction the way to protect human rights, victims and the end of impunity for international crimes? The second: Is it possible to speak of the coexistence of multiple international tribunals as a necessary step towards consolidating Community law? The third: Is it necessary to establish transnational criminal courts or tribunals to hold perpetrators of cross-border crimes accountable? We believe that the constitution of a supranational criminal court can contribute to address the issue of organized crime transnational, consolidating a policy of prevention, protection of victims and witnesses and criminal accountability of its perpetrators.

Coordenação de Aperfeiçoamento de Pessoal de Nível Superior