Repositório RCAAP

Refletimos aqui sobre os desafios enfrentados no ensino de leitura do texto literário no Ensino Fundamental I e como podemos alcançar melhores resultados por meio da utilização de textos multimodais para despertar o interesse para as leituras e atividades literárias no Ensino Fundamental, aguçando a curiosidade, o desejo de investigação e a criatividade dos alunos. Isso para levá-los a repensar o que já sabem e agregar novos conhecimentos àqueles já vivenciados por meio do estabelecimento de relações intertextuais e a integração de conhecimentos culturais. Nossa proposta se concretiza em forma de “Oficinas literárias temáticas”, ancoradas nos pressupostos de Jauss (1979), Mendoza Fillola (1994) e na conjugação destes, numa metodologia de abordagem que valoriza os textos multimodais. Palavras-chave: Leitura. Texto Literário. Formação do Leitor Literário. Textos multimodais. Profletras.

The reading of the word, is a step to the threshold and lends the way to humanization. This has its beginning from an early age. This article aims to discuss, from the relationships – the word and the world, the Self and the Other, the school and the life, the possibilities of reading under the child’s eye. What does the child think of the experience of discovering himself reading and writing? It is a qualitative-narrative research in a Portuguese public school and shows the effects of reading on children’s education. Has as theoretical framework Freire, Queirós, Niza. Keywords: Education. Child. Reading. Narratives.

Adaptation may be approached from different perspectives, depending on the corpus selected and the issue to be discussed. Considering that adaptation is primarily an act of reading, we have chosen to analyze, in this article, Mia Couto’s short story “Olhos nus: olhos”, written as a creative response to Chico Buarque’s song “Olhos nos olhos”. Mia Couto’s short story constitutes an explicit intertextual re-creation, at the same time that it activates two distinct media contexts: literature/short story and lyrics/song. For that purpose, we have drawn on theoretical principles that support adaptation as intertextuality, in articulation with intermediality. Keywords: Adaptation. Short story. Song. Intertextuality. Intermediality.

The Orient has always been a topos for Western imagination and a leitmotiv for artistic creation. In one sense, Christian references were built from the representations of Jerusalem; in other sense, fantasies about the easy wealth and about the moral and sexual freedom that could be found in China were represented. These readings of the representations of Jerusalem and China are based on the concepts of “orientalism” developed by Edward Said and Isabel Pires de Lima; and “fantastic”, according to Carlos Roberto F. Nogueira and Maria do Carmo Castelo Branco de Sequeira, in order to discuss how Eça de Queirós represented, ironically, these imaginary places. Keywords: Eça de Queirós. Jerusalem. China. Orientalism. Fantastic.

The reader’s experience is analyzed in Prowess of João Grilo by João Ferreira de Lima, starting from the reading definition in La experiência de la lectura by Jorge Larrosa (2003). The study allows to understand that texts of the Cordel Literature enable a dialogue that constitutes the author-text-reader relationship. This statement is reinforced by authors such as Wolfgang Iser (1979) and Hans Robert Jauss (1979). The analysis shows that, for identity and cultural reasons, the cordel maintains its traditional structures, but at the sametime presents attributes of contemporary literature. This demonstrates its ability to seduce the reader and build his reading experience. Keywords: Literature. Cordel. Reader’s Experience.

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A produção literária de algumas autoras negras brasileiras apresenta-se, frequentemente, marcada por uma gramática literária atravessada por táticas insurgentes de visibilidade e dessilenciamento de suas vozes autorais, bem como por temas e propósitos que se ancoram em tensionamentos do sexismo, a necropolítica e o racismo, com tons denunciativo e propositivo, e em poéticas de (re) existência, sonhos e memórias. Diante disso, este artigo faz leituras descritivo-interpretativas de algumas de suas tessituras poéticas, aportadas em princípios do devir-revolucionário (DELEUZE, 1990), resistências (FOUCAULT, 2002), (re) existência (SANTIAGO, 2018) e em algumas postulações da necropolítica (MBEMBE, 2018). PALAVRAS-CHAVE: Poética de (re) existência. Insurgências. Escritoras Negras.

The objective of this paper is to present a reading of the tales “Guarde segredo”, by Esmeralda Ribeiro, and “Quantos filhos Natalina teve”, by Conceição Evaristo, which dialogue from the perspective of intersectional feminism. Both have protagonists who resist forms of submission by the black woman: in the first story, the character does not accept being treated as a mere sexual object; in the second, the meaning of motherhood and its implications are questioned. As a theoretical bibliography, texts by Eduardo de Assis Duarte, Florentina Souza, Edmilson de Almeida Pereira, among others, are used. KEYWORDS: Black literature. Intersectionality. Esmeralda Ribeiro. Conceição Evaristo.

The aim of this text is to reflect on the process of denial and/or identity affirmation of the protagonists in Impressions of a childhood (Black Notebooks, no. 36), written by Silvana Martins (2013) and the novel Americanah, by Chimamanda Adichie (2014), from the relationship with their curly hair. To do so, we conducted bibliographical research and were guided by studies from literature in interface with other areas of knowledge. Based on the researches of Cuti, Florentina Souza, Jailma Moreira, Ana Rita Santiago and Eduardo Duarte, we situate the notion of Black/African-Brazilian literature and highlight the relevance of the approaches that visualize the voices/languages of the margins (HALL, 2005; hooks, 2019). Among these, the referred works and respective foundations. By way of conclusion, we reflect on the impact of the aesthetic pattern brancocentric (straight or straightened hair) for the re/constitution of identity of the protagonists culminating, finally, with "self-recovery" (hooks, 2019) and, therefore, the reexistence. KEYWORDS: Memory. Curly hair. Identity. Afro-diaphoric narrative.

O presente trabalho tem como foco realizar uma leitura sociológica do conto “Ana Davenga”, de Conceição Evaristo, publicado no livro Olhos d’água em 2014, apresentando reflexões preliminares a respeito da condição da mulher negra tal como retratada no conto. Parte-se da concepção da literatura como instrumento de humanização: abordar a literatura afro-brasileira contribui não só para o conhecimento da sociedade brasileira, mas também minimiza preconceitos contra o povo negro. A análise conduzida apoia-se ainda em um recorte interdisciplinar com a sociologia, tangenciando com os estudos feministas (especialmente o feminismo negro), na medida em que considera a mulher negra como alvo de duplo preconceito. Apesar da narrativa contundente de Evaristo e do trágico desfecho, o conto se encerra com uma imagem de alento em meio ao sofrimento e à desigualdade. Como resultados esperados, temos a reflexão sobre o papel da literatura afro-brasileira no combate ao preconceito racial e a interpretação de um personagem emblemático que representa a condição da mulher negra e pobre no Brasil. PALAVRAS-CHAVE: Literatura Brasileira, Estudos do Conto, Cultura Afro-brasileira.

The present work reflected on modes of production and circulation of texts by black women writers from Bahia. With this, we seek to perceive the meanings they attribute to the literary, the tools created to produce, publish, circulate and distribute your works. We found that the researched writers found several difficulties in this process. This is due to an exclusion system that includes the variables: gender, race, class and region. Despite the forms of interdictions that are reflected in the difficulty of materializing the book, such writers create tactics that make it easier for their readers to reach their readers and they call into question a capitalist, patriarchal and ethnocentric culture. This demonstrates how these writers, little seen, have resisted and created lines of escape in the face of systems of coercion that imprison them. We used as a theoretical basis authors such as Eduardo Duarte (2005), Ana Santiago (2012), Miriam Alves (2010), Jailma Moreira (2015), Fredric Jameson (2004), among others. KEYWORDS: Literature. Gender. Race. Market.

This article is dedicated to the study of the novel Nos Arcanos do Império, by the Paraíba writer Ezilda Barreto. At the same time that our focus is on mapping writing written by women in Paraíba, in the sense of making invisible writers visible in the historical textbooks of Brazilian literature; we also analyzed a paraiba narrative of female authorship that addresses the issue of slavery and black racism in times of imperial rule. To support our positions on female authorship from Paraíba and racism in Brazilian literature, we rely on Heloísa Buarque de Hollanda and Lúcia Araújo, Marcos Odilon, Gemy Candido, Iris Vasconcelos and Silvana Souza, among other references used throughout of the analyzes. KEYWORDS: Invisibility. 20th century. Female authorship from Paraiba. Racism.

From the reading of the black slave representation in the political-historical discourses of the 19th century, considering also the hypothesis that it ‘ll form, incidentally or not, the raw material for the fictional portrait of the 20th century country person, this study proposes an analysis of the novel Vidas Secas in their ethical and aesthetic solutions for the representation of the oppressed, dialoguing, therefore, with the social thought of the 19th century and its crystallizations on the black slave. In the end, we hope to have demonstrated how Vidas Secas updates the appropriation of the poor in literature, moving away from representations riddled with addictions and prejudices crystallized by the dominant thought. KEYWORDS: Vidas Secas. Slavery. Country person. Social thought.

Partindo dos conceitos de confluência e pluripotência, tratados por Antônio Bispo dos Santos, na obra Colonização, quilombos: modos e significações (2015), explicitamos diferentes modos de existir e resistir das religiões afro-brasileiras em território diaspórico. Por meio dos exemplos das manifestações religiosas do terecô, da cidade de Codó, no Maranhão, e do jarê, da Chapada Diamantina, na Bahia, argumentamos em favor da pluripotencialidade e do bem viver em confluência com a natureza e as relações estabelecidas com os seres intangíveis enquanto dispositivos dessas comunidades em sua continuidade e salvaguarda. Com isso, pretendemos demonstrar aos leitores como a plasticidade dessas religiosidades não apenas colabora historicamente para a sua continuidade, mas também lhes confere a possibilidade de constante transformação, no sentido de sua repotencialização por intermédio da heterogoneidade de confluências. PALAVRAS-CHAVE: Confluência. Pluripotência. Religiões afro-brasileiras. Jarê. Terecô.

The present work is in charge of envisioning the representation of women, especially the characters who perform sex work, in the work of Elvira Vigna, As if we were in a bitch's palimpsest (2016). The narrative exposes the sexist perspective that persecutes women in general and presents a series of stigmas to then bring them down with the questions of a keen narrator. Homi Bhabha establishes that the stereotype is a continuous chain of other stereotypes, this concept will guide the analysis, since we will deal with the aspects that make up the representation of the characters. Still on the tools of oppression, we will address the words Pierre Bourdieu on symbolic violence, as well as elucidating about identity and representation with the support of Regina Dalcastagné and Stuart Hall. Leaning over the fictional text, we will point out the phallocentric view that appears to be problematized or even ridiculed, thus exposing the macho exhibitionism. KEYWORDS: Woman. Stereotype. Subjectivity.

Luciana Tonelli's Flagrantes do tempo: poema-reportagem na pauliceia can be considered as a set of poems that, despite their singularities, make up a unit, which the poet calls “poem-reportage”. Read as a journey through São Paulo, the book exposes, through the voyeur's lyrical subject's view, the capitalist urban everyday life, in which time is fragmented and, sometimes, individuals are subjected to the voracity and speed of hours, sometimes to the time that allows an adrift look. In this paper, we intend, based on selected poems, to reflect on how the configuration of the contemporary capitalist city limits citizens' lives city, giving shape to what Byung-Chul Han calls the burnout society. Based on a transdisciplinary approach to literary studies, we seek to understand, in Luciana Tonelli's lyric, how the urban subject is represented in its exhaustion, as well as in favorable conditions to the reinvention of their lives. KEYWORDS: Luciana Tonelli. The burnout society. Voyeur's lyrical subject.

It is a reflection on the concept of indigenous (SANTOS, 2016) or native literature in the Americas, as a sieve to problematize the Brazilian literary system with its authors, works and audiences, as well as, through its connection with Amerindian perspectivism (VIVEIROS DE CASTRO, 2002), in allow thinking about conditions for the construction of a popular epistemology, making “common sense” question common sense as an exclusive category and coming from an epistemicide intellectual system (SANTIAGO, 2004). Keywords: Native Literature. Perspectivism. Popular Epistemology. Pragmatics of the Signs.

The present work has as structural and methodological premise the interdisciplinary relationship between law, literature and theater. Through the work of the German playwright, director and writer Bertold Brecht, specifically, of the play A Santa Joana dos Matadouros, jusfeminist approaches to thinking working women will be articulated. Through existential phenomenology, the right is thought here of its nartivity, intertextuality and intersubjectivity, not as an end in itself, but as a dialectical and historical dynamics of human relations. Art is for Brecht a scientific space (PEIXOTO, 1974), as well as studies in law and literature are humanist paths of encounter with each other (GONZALEZ, 2016). This place of otherness places the reader-spectator next to the Brazilian Joana Dark, through the critical recognition of the capitalist mode of production and the sexual division of labor. Inequality between men and women in the labor market is an exposed fracture, where men are prestigious and productive and women are responsible for exhaustion, inferiority and mere reproductivity (CISNE, 2015). Keywords: Bertold Brecht. Jusliterária aesthetics. Working women. Capitalism. Sexual division of labour.

Nesta comunicação, apresenta-se a pesquisa que deu origem ao livro delas – catálogo de mulheres autoras no cordel e na cantoria nordestina –, revelando-se os caminhos e percursos de quase duas décadas na construção de uma historiografia das mulheres no campo da literatura de cordel e repente no Nordeste do Brasil. Esta publicação – construída a partir da crítica feminista, dos estudos da mulher, de gênero e da oralidade –, apresenta e demarca a presença e a territorialização de mulheres no campo da cultura, sendo tanto um contributo aos estudos do folheto, xilogravura e cantoria, quanto uma nova história para essa área, até então, marcadamente masculina. Palavras-chave: Mulher. Cordelista. Cantadora.