Repositório RCAAP

The desire to keep alive the history of the city and the old building of Metalúrgica Faulhaber is noticed in several spheres of the municipality of Panambi. Historic buildings are part of the city's heritage, this is due to its important and representative architecture with the identification of the remnants of the industry, considered heritage of the city, the relevance and influence of the building for the surrounding environment and the emergence of the metal-mechanical branch of the municipality, and not only because of that, but above all as stated by Aldo Rossi, based on the “construction of the city over time, in which the city grows on itself, acquiring awareness and memory”. The research is carried out by bibliographic documental analysis and field survey, using qualitative and quantitative indicators, presenting a brief historical overview of the municipality of Panambi, questions about cultural heritage and its preservation, conservation and maintenance of historic buildings, as well as the factors of degradation in historical buildings, which will provide a foundation and detailed technical vision for the case study aiming at the correct analysis of the current state of the facades, and therefore the preparation of the damage map, with its causes and the correct therapies of the pathologies under analysis, thus managing to make a complete pathological overview of the building under study. Thus, this study is directed, or has the objective, to demonstrate the current conditions of the building, thus contributing to the conservation and preservation of the memory and history of Metalúrgica Faulhaber through the diagnosis and prognosis of the pathologies found, indicating repairs, conservation and preventive maintenance.

Dark tourism and cemeterial tourism are constituted as distinctive segments in contemporary tourism, adding social and cultural practices that promote unconventional activities and attractions, bringing together a certain historical narrative of places, events and people as well as the memory produced around them, highlighting a certain form of heritage, history and even art. This research proposes, through Heritage Education, a visiting circuit to the Municipal Ecumenical Cemetery, where its architectural works, the history of the city and its personalities become a great open-air museum. To understand this new segment of dark tourism and cemeterial tourism in the city of Santa Maria there will be an explanatory booklet about issues of history, memory and belonging of the city and region, as well as, information on tourism and its segments related to the topics covered in the construction of the research, the dissertation and the final product of the Master's Degree in Cultural Heritage at the Federal University of Santa Maria.

This master's thesis plans to show the importance and power of regional culture, through the cultural manifestation called trova gaúcha, with its rhymed way of telling a story, looking at it as an element of diffusion and enhancement of local tourism. It will address not only the recognition and preservation policies of intangible heritage in southern Brazil, as well as the medieval origin from the poetic composition of the middle Ages in Europe until its Brazilian adaptation. In the trova, which the author will prepare, with the Gildo de Freitas style, some tourist attractions of the city of Santa Maria, Itaara and the Quarta Colônia, will be highlighted, valuing and enhancing both the leisure possibilities and the enrichment of historical and cultural, through the various manifestations, which involve sustainability, gastronomy, faith, inherited traditions, ufological beliefs, among others. The aim, throughout the chapters, is to express the identity and diversity of the heritage of this region, adopting the trova as a work tool favoring culture, with the objective of promoting the dissemination of memory, heritage and contribute to the dissemination of tourist attractions. In addition, it seeks to awaken, in those interested, an immersion in the local culture, in order to provide them with the feeling of belonging and identity.

This research offers objectives, as main objective, to develop a primer on the concepts and steps that guide the realization of digital production and preservation taking into account the use of sensitive data from the entrepreneurial ecosystem methodology. Through this vector, the specific objectives were defined as: To analyze the booklets of the Requirements Model for Computerized Systems of Archival Management of Documents; Identify how recommendations for digital production and preservation environments using the entrepreneurial ecosystem methodology; Develop a model that connects the recommended specifications according to the LGPD. Consistent application, from the perspective of a bibliographic research, the search for primary sources, bibliographies, publications and booklets in particular of CONARQ, Law No. 13.709 and Law No. 8.159. In addition, there was an exploratory phase, with a survey of the perceptions of academics and professors of the Bachelor of Archives course at the Federal University of Santa Maria (UFSM). The instrument used was a questionnaire available online, sent via email and social media. From the readings and the results obtained, it was possible to develop the product, a booklet with concepts and suggestions for approaching the issue for entrepreneurs, thus achieving the objectives. The results suggested the need to update the Archives Law, which has been carried out in slow stages, initiated as a result of directed groups of professors and researchers in the archival area, and an insertion of themes related to digital preservation in its new version. The need for education, knowledge and social concerns with this topic was highlighted. With regard to financial capital, the results showed accessibility for investments in the area. In the field of support institutions, CONARQ, the Technical Chamber of Electronic Documents and the associations of archivists were essential in this field. The fundamental suggestion for guaranteeing best practices in the archival field was the creation of a professional council.

Coordenação de Aperfeiçoamento de Pessoal de Nível Superior - CAPES

This study, on the theme of Cultural Heritage allied to Design and Identity, aims to develop a booklet as support material for weavers of the Geopark Caçapava Aspirante UNESCO. The methodologies used are: Cultural Materialism and the strategies proposed by Krucken (2009) for the enhancement and promotion of products and territories. The theoretical contribution addresses Cultural Heritage, Cultural Studies, Identity, Design, Crafts and Territory, as well as an analysis of the context of weavers to approach the object of study. As analysis of the cultural artifact, three steps are proposed: 1. Identification and recognition; 2. Interaction and presentation; 3. Exploration and development of creativity. The last step comprises the capacitation course held from May to July 2021, about different aspects related to working with wool, comprising four workshops: 1. Presentation of differentiated product models for clothing and various products; Presentation of different techniques. 2. Colors and Natural Dyeing of wool; How to do reference research. 3. Geodiversity and Biodiversity of Caçapava do Sul; Insertion of natural and/or local materials; Accessory options and finishing techniques. 4. Sustainability in working with wool; Selling wool products. As a result of this research, a free and open access digital booklet was developed based on the contents of the workshops given.

Coordenação de Aperfeiçoamento de Pessoal de Nível Superior - CAPES

The city of Santa Maria-RS has an architectural complex in Art Deco style, in the center of the city, heritage from a period of economic and cultural effervescence (1910-1950) and great social development. In order to reinforce the importance of this heritage for the community of the municipality and the region, a study is proposed to enhance the memory and its cultural heritage. The main objective is to contribute to the preservation of the Art Deco architectural cultural heritage in the city of Santa Maria-RS, using the precepts of Heritage Education through an audiovisual product and, in this way, enable the promotion of local cultural, tourist and economic development. The research methodology is qualitative, based on a literature review that presents the history and concepts of style in the world, in Latin America, in Brazilian cities and in the city that is the object of this study. For the design of the product resulting from this research, the concepts of audiovisual production were observed. Directed to the general public, it is proposed that this audiovisual can be broadcast in public and private schools, universities and on virtual platforms. On the You Tube platform, the audiovisual is available at the link https://youtu.be/3c9pmbtDdqo.

Coordenação de Aperfeiçoamento de Pessoal de Nível Superior - CAPES

Conselho Nacional de Pesquisa e Desenvolvimento Científico e Tecnológico - CNPq

Coordenação de Aperfeiçoamento de Pessoal de Nível Superior - CAPES

Coordenação de Aperfeiçoamento de Pessoal de Nível Superior - CAPES

Coordenação de Aperfeiçoamento de Pessoal de Nível Superior - CAPES

Coordenação de Aperfeiçoamento de Pessoal de Nível Superior - CAPES

Conselho Nacional de Pesquisa e Desenvolvimento Científico e Tecnológico - CNPq

Conselho Nacional de Pesquisa e Desenvolvimento Científico e Tecnológico - CNPq

Coordenação de Aperfeiçoamento de Pessoal de Nível Superior - CAPES

The aim of this research was the rescuing of part of the history of the Music Course of the Federal University of Santa Maria, the first school of the Center of Arts and Letters. The part investigated was the Bachelor degree of Percussion, which began its activities in 1980, being the first in Southern Brazil, and the second one in a higher education institution in Brazil, adopting as its main strategy interviews with the central character in the creation of Percussion as part of the Music School, professor Rose Mari Bertelli Braunstein, in order to search for photographic and documentary material to complement the facts narrated by her. In addition to the interviews, Professor Braunstein provided a wealth of documentary material, including photos, concert programs, catalogs, newspapers clippings, which added weight to this story. Other faculty members were interviewed, as they are witnesses of the years which lead to the implementation of the percussion and its instruments, in the 1970s of the 20th century. The choosing of this subject presents the seriousness with the actions of preservation of the institution’s history, to avoid the disappearance and oblivion of facts and their characters involved, and also to provide research material for future generations. The research stages were: a) interviews with Professor Rose Braunstein, from which the chronology of the Percussion beginnings were established; b) search of Braunstein’s personal collection, selecting the existing material according to the historical importance of each photo album, clippings, and handwritten and mimeographed material; c) interviews with retired faculty members within and without UFSM, who brought personal testimonies that enriched the narrative; d) search for official and institutional documentation, in the form of laws, letters, certificates, etc., all analyzed and cataloged chronologically and by area of inclusion in history; e) search for the material that records the students graduated from the course over these almost 40 years, within the files of the Percussion Laboratory and by contact with these former students. As a way of conclusion, the presentation of the interviews in the form of a historical chronological account – with a brief introduction to the history of percussion and the history of the institution itself – seeks to place the Bachelor of Percussion degree in a broader, not geographically isolated context, especially related to the world connected by the world network of the second decade of the 21st century.

The present work aims to reflect on visual perception based on an autoethnography of my existential journey with nystagmus and monocular vision. The research hypothesis is that perception is configured in a continuous action beyond a response to given stimuli. In turn, visual impairment, as a gradient, constitutes a fertile field for the study of differences in the universe of perception as action. The research uses an ecological and phenomenological perspective, seeking to analyze perception as an anthropological problem. The fabric of an anthropology of perception brings into dialogue, through this work, the relationships between nature and culture and individual and society, by approaching the configurations that the innate and the acquired make up in the disabled body, based on the discourses that characterize it. Likewise, it dialogues with the stigmas and liminalities that permeate the classification of visual impairments in Brazil, through the narrative of a life course. The methodological and writing option for autoethnography is a basic constitutive part of the hypothesis that we want to prove, as it takes the place of perspective speech as a preponderant fact to understand visual perception in this context.

Coordenação de Aperfeiçoamento de Pessoal de Nível Superior - CAPES