RCAAP Repository
O impacto das redes sociais no relacionamento entre os media e as audiências
O crescente número de utilizadores das redes sociais levou a que vários modelos de negócio migrassem para essas mesmas plataformas digitais, devido ao seu elevado potencial de interação em rede. O mercado da comunicação social não é exceção e, motivado pela capacidade difusora de informação (Recuero, 2009) das redes sociais, e pela perda de leitores, ouvintes e telespectadores nos meios tradicionais, os media, disputam a atenção do utilizador nessas mesmas plataformas digitais. O artigo pretende incidir sobre as práticas da comunicação social nas redes sociais e quais as suas implicações nas rotinas jornalísticas e na própria profissão. Determinados autores apontam o fim do jornalista, tal como o conhecemos até aqui, alicerçados na tese do jornalismo cidadão (open source) como Dan Gillmor, ao defender que qualquer cidadão pode tornar-se num jornalista, bastando que saiba usar uma câmara de vídeo e ter ligação à Internet. Contudo, há também quem defenda o contrário, que um jornalismo credível só está ao alcance de quem tem formação jornalística, como Sylvia Moretzsohn, alegando que o cidadão comum não conhece os critérios de construção da notícia, e como tal, nunca poderá substituir-se ao profissional da informação. Porém, o cidadão comum, através das redes sociais está já a influir no processo de consumo da informação em rede, ao recorrer ao que Bruns apelida de gatewatching - um segundo filtro nos conteúdos informativos que o utilizador das redes sociais dispõe para destacar a informação que lhe interessa. Como interagem media e audiências nesta nova relação é o que procuramos clarificar com este trabalho.
2022-11-18T13:06:45Z
Pacheco, Pedro Garcez
Cultures littéraires : nouvelles performances & développement
No summary/description provided
2022-11-18T13:06:42Z
Almeida, José Domingues de Amieiro, Margarita Alfaro Baptista, Maria Manuel Barbosa, Pedro Bénit, Ándré Cabral, Eunice Cabral, Maria de Jesus Carvalho, Ana Alexandra Seabra de Carvalho, João Carlos Firmino Andrade de Cheymol, Marc Correia, Isabel Peixoto Dosse, Mathieu Faria, Dominique Gonçalves, Luis Carlos Pimenta Kaempfer, Jean Laurel, Maria Hermínia Amado Machado, Álvaro Manuel Mancelos, João de Marques, Lénia Massoumou, Omer Matias, André Manuel Ruivo Senos Moniz, Ana Isabel Morais, Ana Paiva Neto, Francisco Sousa Oliveira, Rosa Maria Outeirinho, Fátima Provenzano, François Reffóios, Margarida Roelens, Nathalie Rosario, Giovanna di Santos, Ana Clara Santos, Maria Rosário Girão Ribeiro dos Schuerewegen, Franc Silva, Manuel José Silva, Marie-Manuelle da Silva, Sandra Raquel Soares, Corina da Rocha Sol, Hermínia Trouvé, Alain
Invasions & Évasions
No summary/description provided
2022-11-18T13:06:42Z
Abbeele, Géorges van den Almeida, José Domingues de Amado, Maria Hermínia Araújo, Ana Cristina Bernardes, Joana Duarte Borralho, Maria Luísa Malato Cabral, Eunice Cabral, Maria de Jesus Cordeiro, Cristina Robalo Domingues, João Faria, Dominique Fumaroli, Marc Heras, Ignacio Iñarrea Las Hubert, Denise Fischer Laurel, Maria Hermínia Amado Machado, Álvaro Manuel Marinho, Maria de Fátima Marques, Fernando Carmino Marques, Isabelle Simões Namora, Ricardo Outeirinho, Fátima Pereira, José Carlos Seabra Reffóios, Margarida Rodrigues, Paulo Miguel Santos, Ana Clara Santos, Maria do Rosário Girão Ribeiro dos Schlossman, Béryl
Métamorphoses littéraires
No summary/description provided
2022-11-18T13:06:42Z
Abbeele, Géorges van den Álvares, Cristina Baros, Linda Maria Carvalho, Ana Alexandra Seabra de Gonzalez, Loren Kawano, Marta Marinescu, Alina-Daniela Monico, Reto Pietra, Laurent Rambourg, Márcia Marques Roustant, Sylvia Schlossman, Béryl Simonffy, Zsuzsa
Les écrivains écrivent l’Europe en français
No summary/description provided
2022-11-18T13:06:42Z
Almeida, José Domingues de Baage, Silvia U. Cermakian, Stéphane Coutinho, Ana Paula Cuttat, Romain Fieu, Regis-Pierre Oktapoda, Efstratia Outeirinho, Maria de Fátima Stefano, Fiorella Di
Du Français en cause aux causes du français
No summary/description provided
2022-11-18T13:06:42Z
Alexandre, Eulália Almeida, José Domingues de Besse, Henri Boiget, Nathalie Boukhannouche, Lamia Cabral, Maria de Jesus Capucho, Filomena Chiss, Jean-Louis Cuq, Jean-Pierre David-McGonnell, Valérie Ferrão Tavares, Clara Guerra, Joaquim Majdi, Toufik Martin, Serge Montenay, Yves Pasquier, Catherine Renard, Raymond Robalo Cordeiro, Cristina Santos, Ana Clara Santos, Idília dos Varela, Maria Conceição Vigner, Gérard
Os “nativos digitais” brasileiros e suas práticas de consumo e de relacionamento com as empresas: perspectivas, tendências e oportunidades às Relações Públicas
A Geração Z engloba os nascidos nos anos 1990, indivíduos que, em geral, possuem desenvoltura com as novas tecnologias, por estarem em contato direto com o “mundo digital”. Nesse contexto, este estudo objetiva compreender as características de consumo da Geração Z e apontar tendências e oportunidades às Relações Públicas. Busca-se, nessa linha, indicar pontos de atenção na elaboração de estratégias de Relações Públicas direcionadas aos públicos formados por membros dessa geração. Para tanto, apresenta-se uma pesquisa qualitativa e quantitativa desenvolvida junto a sujeitos de diferentes classes de renda no Brasil. Com os resultados, observa-se que o comportamento dessa geração é influenciado pelo uso das tecnologias infocomunicacionais, mas as disparidades entre classes econômicas implicam diferentes comportamentos sociais e de consumo. Assim, deve-se ressaltar a necessidade de adaptação dos esforços de Relações Públicas a esse público heterogêneo, com o uso de ferramentas on-line e off-line.Palavras-chave: Consumo. Geração Z. Relações Públicas. Tecnologias de Informação e Comunicação.
2022-11-18T13:06:45Z
Santos, Wandressa Puga dos Lisboa, Wellington Teixeira
(Res)sources de l’extravagance
No summary/description provided
2022-11-18T13:06:42Z
Achard-Bayle, Guy Almeida, José Domingues de Álvares, Cristina Cabral, Maria de Jesus Carvalho, Ana Alexandra Seabra de Domingues, João Maior, Dionísio Vila Poulet, Françoise Rovera, Silvia Royer, Lydie Schlossman, Béryl Silva, Maria Madalena Marcos Carlos Teixeira da Spica, Anne-Elisabeth Trouvé, Alain Vicente, Fernanda Monteiro
Frontières de la chronique
No summary/description provided
2022-11-18T13:06:42Z
Almeida, Teresa Sousa de Andrade Boué, Pilar Bacot, Jean‑François Basilio, Kelly Borowski, Elyane Carvalho, Ana Alexandra Seabra de Carvalhosa, Sandrine Cerdeira, Virginie Fernandes, Ana Hersant, Marc Loreaux-Kubler, Corinne Morais, Ana Paiva Rebejkow, Jean-Christophe Sabatier, Claude
Regards sur Camus
No summary/description provided
2022-11-18T13:06:42Z
Ammar, Benkhodja Castro, Carla Celotto, Emanuela Chatzipetrou, Sofia Domingues, João da Costa Dufková, Vlasta Dussert, Jean‑Baptiste Gomes, Fernando Jubilado, Odete Mochila, Miguel Filipe Ouingnon, Hyacinthe Reffóios, Margarida Ruiz Álvarez, Rafael
Luiz Costa: in commemoration of the fiftieth anniversary of his death
This text is dedicated to the commemoration of the fiftieth anniversary of the death of the composer, pianist and teacher Luiz Costa (S. Pedro do Monte de Fralães, 1879 – Porto, 1960). The preface begins by clarifying the meaning of commemoration as a ritual. The text is divided into two parts. The first, anthropologic in nature, undertakes the problems involved in the construction of the identity of Luiz Costa as a person and as an artist within the more general question of this construction emerging from the anthropological themes of birth, suffering, love and death. The second, musicological part demonstrates that events and circumstances in the life of an artist can leave their marks on his works. Some characteristic compositions of Luiz Costa are analysed with the intention to gain information about the mind and character of the man and the artist that he was.
2022-11-18T13:06:39Z
Beirão, Christine Araújo, Henrique L. Gomes de
Repetitions, dichotomies and transference in European cinema of the 20s: the case of Douro, Faina Fluvial
Warning Regarding the films under analysis, only words by their authors are used as references. There is, therefore, a deliberate 'disinterest' in other people's opinions. Authors do not always tell everything, sometimes they distort the order of things and facts themselves (not always to their own advantage), but even their 'lies' offer us clues, if not to the final significance, at least for their intentions and wishes - for the project. I think that one's own work and words are (almost) always the best point of departure for personal reflection, even if it results in already explored or proposed paths. This warning is justified because there are countless analyses, particularly of Eisenstein's Potemkin, openly ignored here. This is, evidently, a contradiction in terms, given that I know some of these analyses and it would be impossible to forget them completely. I believe, however, that this exercise of purification, of return to the initial object, of trying to experience a first glance at these films is necessary. I did everything I could not to value these reflections and I myself hope to be ignored.
George Perle’s Twelve–Tone Tonality: some developments for CAC using PWGL
This paper presents a description and some developments on Perle’s theory and compositional system known as Twelve-Tone Tonality, a system that, because of its characteristics and fundamentals, is currently associated with Schoenberg dodecaphonic system. Some research has been made in the last few decades in order to develop his model in a Computer Assisted Composition (CAC) environment. After some efforts in order to analyse these prototypes, we realize that in general they were discontinued or outdated. A three-scope proposal is so outlined: Firstly, to simplify the grasp of a system that presents an easily understandable starting premise but afterwards enters a world of unending lists and arrays of letters and numbers; Secondly, to present the implementation process already started using PWGL [1] (see Laurson, 1996; Laurson, 2003; Laurson, 2009). Finally, the model is applied in a short original compositional work, and it is presented and analysed emphasizing the standpoints properties of the system. Some further considerations were made regarding the continuity of this project where the construction of a dedicated PWGL library of Perle’s model reveals a pre-compositional necessary tool. PWGL software was selected due to its specific fitting features: it is based on Common Lisp - perfectly powerful and suitable to process lists of integers — and it is specialized in CAC.
2022-11-18T13:06:39Z
Marques, Telmo Ferreira-Lopes, Paulo
A manifesto of nodalism
This paper proposes the notion of Nodalism as a means describing contemporary culture and of understanding my own creative practice in electronic music composition. It draws on theories and ideas from Kirby, Bauman, Bourriaud, Deleuze, Guatarri, and Gochenour, to demonstrate how networks of ideas or connectionist neural models of cognitive behaviour can be used to contextualize, understand and become a creative tool for the creation of contemporary electronic music.
Editorial
No summary/description provided
Summarising the 7 dimensions of an action-oriented framework for video games
This article summarises our Ph.D. thesis – an analytical view on the player-game relationship through the lens of an action-oriented framework, centred on fundamental entities defined as actors, entities through which action is enacted in the game and of which the player and the game system are a part of. With this in mind, the grounding principles of this framework are seeded in a transition of action into experience, based on communicational systems that structure the dynamic formation of networks of actors from which distinct behaviours emerge, which, in turn, promote the enactment of diverse sequences of events establishing narrative, which is a source of experience of the player. Chronology, responsiveness, thinking and actuation, transcoding, focus, depth, and traversal are the 7 dimensions we unveiled through the lens of this action-oriented framework. This work proposes that video games can be regarded as action-based artefacts and a call to awareness for game designers that when designing for action they are working with the foundations on which video games are built upon.
Reconsidering Manifesta 10: big exhibition project as narrative
This article analyzes the exhibition project of Manifesta 10 (St. Petersburg, 2014) as a complex of narratives including media texts and artists’ myths and stories. Two main, mutually affecting themes of the Manifesta 10 narrative are defined as a dialog between classical and contemporary art and an idea of “total work of art” in the context of the theory of “Gesamtkunstwerk”. The basis of the theory was laid by R. Wagner, and it had later continued in contemporary cultural studies in relation to interactivity of contemporary art. Big exhibition projects transform the idea of “total work of art” into the concept of unity of different artistic elements (artistic methods, media, art spaces, mythologies, commentaries, critical texts) in the whole of the exhibition. The curator’s idea of dialog between classical art and contemporary artworks stresses the key role of the Hermitage in the project of Manifesta 10 and demonstrates benefits and disadvantages of an exhibition mega-project in a classical museum. The “big story” about the opposition of contemporary art and tradition consists of minor stories of particular projects in the exhibition. In this regard, the criteria of Manifesta 10’s critical reception and interpretation are considered.
On Self Codes: a Case Study within Mathematics and Performance Art
Unicity and existence of bounded solutions are interesting results not just for PDE (Partial Differential Equations) but can also be extended to minimization problems in Calculus of Variations. These results also have a very interesting behavior. The reasoning and research involved in these theoretical results were part of an artistic process in performance art: the performance piece “On Self Codes”. This paper is devoted to the development of possible connections between mathematics research in Calculus of Variations and performance art through a case study. How can one construct a performance art piece inspired on specific research within mathematics, without translation and using intersubjectivities instead? How can we relate two different fields without using them hierarchically? Can we agree on affirming that this type of work is a statement regarding transdisciplinarity, or it maps the ways in which a contemporary body of work can be shaped today? Are these two features incompatible? These are some of the questions that originated this paper.
Technology and self-modification: understanding technologies of the self after Foucault
Self-modification is an ancient human practice; however, for the first time in history, technology is enabling us to modify our lives not only at an existential or experiential level, but also at an informational level. This paper discusses Foucault’s concept of “technologies of the self” as well as some of its recent interpretations within contemporary philosophy of technology. It shows how ICTs have opened new dimensions for humans to transform their bodies, minds, and self-conception. It argues that while ‘traditional’ self-modification is being revolutionised and popularised by ICTs, these systems are also exposing us to potent, and unintentional forms of ontological tinkering. Ultimately, this paper shows how Foucault’s concept can serve as a valuable tool for understanding contemporary human-technology relations.
2022-11-18T13:06:39Z
Hernández-Ramírez, Rodrigo
Species of (Code) spaces
As digital technologies make a powerful impact on the production of space and software mediates most of our everyday activities, we find ourselves living, working and interacting in the common ground of code and space. The environmental diffusion of computing should be considered in relation to the increasing acceleration and simultaneity of socio-spatial and economic processes, characteristic conditions of a dynamic spatial ontology that evolved during the past decades, changing the ways we inhabit, design and think about our environments. By following the gradual hybridization of space and time, this essay investigates the ways in which software and communication networks infuse space with temporal qualities, enhancing its inherent mediality with successive layers of meaning. An account of this in urban scale is the endeavour of smart cities, a fluid field of tension and negotiation between centralized managerial visions and bottom-up participation and appropriation initiatives. Finally, as spatial production becomes increasingly transdisciplinary and the digital turn reaches a certain level of maturity, the role of the architect and the architectural object changes drastically. Cedric Price famously argued that the best solution to a spatial problem is not necessarily a building, but the question is still pending – could it then be code?
2022-11-18T13:06:39Z
Papadimitraki, Pinelopi