Global RCAAP Repository | PISTA Digital

Iconographies of surrealism in three Bergman films: Smultronstället, Persona and Vargtimmen

The aim of this project is to analyze the iconographic references from surrealism, mainly from the field of plastic arts and photography, which could have influenced the Swedish filmmaker Ingmar Bergman when making three of his most emblematic movies: Smultronstället, Persona and Vargtimmen. Thus, we expect to continue contributing specific studies to this huge investigation field which deals with the relationship between cinema and visual arts

2018

https://eras.mundis.pt/index.php/eras/article/view/54

Gonzalez, Carlos Salas

The Practice of Popular Education in the Context of Community Therapy

The Community Therapy (CT) developed in Project Four Sticks in Fortaleza-Ce, is based on the dynamic group where individuals interact and socialize their troubles, promoting the formation of solidary social networking community to involve the various contexts of family, institutional and social, in the categories of participation and dialogue. This article aims to describe the People's Education experience in the context of Community Therapy. The theoretical reference the great educator Paulo Freire, the text depicts the exercise of Popular Education in the TC universe, which is a tool for transformation of social reality in that it promotes the empowerment of individuals and thus favors the emergence of sense of belonging and building autonomy. The Process of Education evidenced from the dialogic stimulus among its participants, promotes the establishment of ties, a significant condition for the expansion of the potential for solving problems relevant to social life. The pedagogy of Paulo Freire is one of the main theoretical axes underlying the TC , so it is understood that the practice of Popular Education is only possible with the involvement and effective participation of individuals in the process.

2018

https://eras.mundis.pt/index.php/eras/article/view/55

Muniz Luna, Geisy Lanne Bezerra Cavalcante, Alexandre Guimarães Matsue, Regina Yoshie

Pedro Paricio a post- romantic artist in the digital age

Pedro Paricio is an artist that claim the pure paint free of all comercial, honest and transcendental worries. Its define as romantic because his performance is a clearly an example of automatism that makes the subconscious flow, fed by tradition, to create, an act more typical of a shaman , a colorful painting that gets a movement between the abstraccion and figuration.

2018

https://eras.mundis.pt/index.php/eras/article/view/58

González Chávez, Carmen Milagros

Mina, dancing religion

Reports researchin dance Drum, developed beginning in 1999 with a field of study located in Casa Fanti-Ashanti in São Luís / Maranhão and currently developing participatory research in the Casa Fé em Deus. Emphasizes the spectacle of dance in religion Mina, from symbolic gestures, and movements present in the choreographic design, transmission of beliefs and identity of symbolic production, mobilization, socio-cultural and festive behavior within the religion of African of Maranhão.

2018

https://eras.mundis.pt/index.php/eras/article/view/59

Medeiros Mota, Patrícia Karla