Repositório RCAAP

The research has as objective to know how a school/school community understands its function with base in the elaboration of its Political-Pedagogic Project. For that, an analytic-descriptive study was developed, and, as techniques, were used the documental analysis, the participant observation and the interview. The first chapter describes the E. E. Prof. Alceu Gomes da Silva´s atmosphere/context of the research. The second chapter brings considerations about education, school, school culture and culture of the school, fundamental themes for the understanding of the school function in the individuals´formation. For the third chapter, some legal considerations on Political-Pedagogic Project were made. The theoretical base was developed, the old Project of the researched school was analysed and were proposed the new politics of the Secretary of the Education of the state of São Paulo, the curriculum proposal-São Paulo faz escola/2008. Therefore, the fourth chapter brings the analysis of the obtained data with the registrations accomplished during the elaboration of PPP and interviews, looking for the better understand the form how a school community´s members (teachers and managers) conceive the school, education, curriculum, teaching-learning processes, formation, among others

The democracy concept retraces to the existence of a State in the form desired and assented for the people: government where the people exerts their sovereignty. The discussion concerning democracy goes beyond its conceptualization, having stronger and increasing way of incidence into its values and in the modifications of the democratic model, in compliance with the transformations of the Society and, consequently, of the State itself. The politics institutions are shaken by the complete change of its essential functions and by the discredit of the citizen-voter in the representation of its interests.

Fundo Mackenzie de Pesquisa

Universidade Presbiteriana Mackenzie

O presente estudo tem como objetivo a análise do Propósito Negocial, um dos critérios atualmente utilizados pelo Conselho Administrativo de Recursos Fiscais (CARF), órgão de âmbito federal, para a validação da prática do Planejamento Tributário. A princípio é necessário compreender os limites do Estado, neste caso, representado pela administração tributária ao exercer o “Poder de Tributar” sobre o contribuinte, em contraponto com o dever fundamental deste de pagar tributos e o seu direito à auto-organização. Superado este entendimento apresentar-se-á o conceito de Planejamento Tributário bem como os demais institutos que o circundam. Além disso, analisar-se-á a linha tênue entre o planejamento tributário e a denominada Evasão Fiscal e as incansáveis tentativas de regulamentação da matéria. A partir de então estudar-se-á, de fato, a denominada Teoria do Propósito Negocial originalmente denominada business purpose. Importada da jurisprudência americana, essa teoria é comumente utilizada pela administração tributária nacional como um dos critérios para determinar a validade, ou não, de um planejamento tributário. Para a melhor compreensão será traçado o histórico de aplicação da teoria pelo CARF e ainda serão analisadas decisões recentes e inovadoras, visto que a aplicação da teoria é constantemente discutida em razão da subjetividade decorrente da falta de definições legais, o que implica em entendimentos e fundamentações muitas vezes distintas e contraditórias. Tal discussão se faz necessária diante da consequente insegurança jurídica à qual os contribuintes estão expostos ao tentarem, de forma lícita, reduzirem, afastarem ou postergarem seus encargos tributários.

Fundo Mackenzie de Pesquisa

Fundo Mackenzie de Pesquisa

Acesso online: https://raphaelfreitaspedr.wixsite.com/hrmnficltrs

Reflection on the quality of public spaces on Avenida Paulista, based on direct observation of the use of these spaces by the population. Record of the avenue daily episodes, recognized as extremely informative situations, able to point to these spaces plural meanings and unsuspected potential for its improvement by urban redesigning.

This work discusses the relationship between the design of advertising communication and the principles of Ontopsychology and OntoArt, from the creative process of an advertising agency based in these criteria. The relevance of the work stems from the importance role that the advertising professionals exerts, mainly in the choose process of images used at the advertising, because the images bring values and significances that influences emotions, thoughts and human behaviours. Working based on the concepts of OntoArt and Ontopsychology, the advertising professional can perform a more responsible role in the market, exercising his role (direct or indirect) of social educator and promoting a culture based on humanistic values, such as living, ability, dignity, sociality, among others. In its first stage, the methodology of qualitative approach studied the experience of a communication design agency that works with the principles of OntoArt and Ontopsychology. The creative process was studied, in particular of a work, the graphic design project of the magazine Performance Líder. A field survey was developed to assess the perception of the target in relation to the expression of such principles in the communication design of the magazine. It was observed that participants identified the principles of Ontopsychology and OntoArt on design and on the contents of the magazine, highlighting that other professionals in the market can also use these criteria.

Universidade Presbiteriana Mackenzie

Este trabalho tem como objetivo aprofundar-se na teoria do terceiro cúmplice, a qual decorre da interferência negativa de um terceiro totalmente alheio a uma relação contratual, com vistas a corrompê-la. Para isto, será feita uma análise dos princípios que regem o contrato e quais os pressupostos necessários para que possua validade. Em seguida, será analisada a distinção entre partes e terceiros e, na sequência, debruçar-se-á sobre a relativização dos efeitos de um negócio jurídico, buscando entender por meio de quais princípios e dispositivos, constitucionais e de direito civil, pauta-se a teoria. Será examinada, também, a origem da teoria do terceiro cúmplice em sistemas jurídicos de outros países, bem como as concepções que lá são dadas para a função social do contrato, o princípio da boa-fé objetiva, a oponibilidade dos efeitos do contrato, o abuso de direito e a tutela externa do crédito, fundamentos basilares das legislações civilistas na caracterização da responsabilidade do terceiro cúmplice. Mais adiante será feita uma análise histórica do princípio, outrora restrito, da relatividade dos contratos, o qual possuía o verdadeiro condão de dogma, insuperável e intransponível, mas que com o advento das transformações sociais e comerciais no mundo globalizado, foi superado por uma nova interpretação jurisprudencial e doutrinária. Uma vez demonstrados a possibilidade da responsabilização do terceiro cúmplice e o seu fundamento, se fará necessário o estabelecimento de possíveis balizas para a sua aplicação no ordenamento jurídico brasileiro, o que será feito a partir de uma análise das características da responsabilidade civil do terceiro cúmplice. Será demonstrada, inclusive, à luz das hipóteses de aplicação da teoria, uma exceção: os casos em que o contrato versar sobre direito desportivo no âmbito do futebol profissional, mais especificamente na hipótese de previsão de cláusula indenizatória desportiva. Por fim, será explanada a conclusão a que o presente estudo chegou, tendo como principal ponto a fundamentação da teoria do terceiro cúmplice na tutela externa do crédito, fruto da teoria do fato jurídico, em consonância com o princípio da relatividade dos efeitos dos contratos.

This essay intends to depict the pedagogical workability of the cinema, mainly to the Secondary School students, referring to the movie Eles Não Usam Black-Tie , produced and directed by Leon Hirszman in 1981. Making the analysis and decoupage of the movie, it was delineated a relation between Cinema and History. After the collecting of social and historical facts presented in the movie, it was proposed a methodology of work through cinematographic opus and the historical contextualization concerning about the presented topic. The central purposes of this study are the accomplishments of the integration of the Brazilian cinema to the quotidian of students in their classrooms, becoming the cinema a dynamical tool, allowing a contextualized learning about historical subjects.

The history of photography is permeated with technological breakthroughs that enabled the development of concepts in different areas and wide artistic expression. In this work, the photography is used as a conversion method from 2D images to 3D digital models that are subject to interventions and manipulations in order to produce an artistic object. The aforementioned method already exists, but another aspect of photography has important value here: the description of the movement through images and its many forms of representation (such as a trail, blur or absence of matter). A question arose: could such a blur be inherited from the bidimensionality of the long exposure photography into a real, touchable object? What are the media-related implications and how could the artist use this methodology to his visual expression? By using concepts of chronophotography, cubist glimpses, cinematic techniques like stop-motion and new technologies, we explore the transposition from image-related aspects into real tridimensional representations, with the use of 3D printing. The results of this work are artistic objects that represent the materialization of the movement in the photography into a real object. Nevertheless, the possibilities go beyond: graduated transparency and large-scale 3D prints, production of non-human forms and customized motion capture as the objects’ motion source. Therefore, the knowledge produced brings contributions that can be used in other researches: the applied methodology can be re-used (as well as for other purposes) in various areas of knowledge, both for artistic creations and scientific applications.

This dissertation departs from the analysis of the project of Centro Empresarial Itaú (CEI), of which I am co-author, searching to configure a case of research in design. This project represents a particular case of the development of the city, being an example of direct action of Emurb (meaning the State) in its urbanization, where we can perceive its qualities and limitations. The structure of the dissertation has, as the starting point, the experience of the author. It analyzes the project of the CEI, not in a systematic and descriptive form, but searching to unveil the designing process. It follows its development in time, identifying the relevant points and trying to clarify the criteria and the contexts of the design s decision making. The objective of this procedure is to allow that the main solutions are understood inside of the horizon and in the direction that they had when they had been made. The project also is analyzed by the optics of its functional typology, understanding its historical evolution and comparing it with other projects in similar contexts, either regarding the program, or the site: the city of São Paulo. Finally I analyze what I consider its more important aspect, its relation with the city, not only trough the relation of the building with its immediate surroundings, but as an element of the process of construction of the city. This process is here considered as a result of the action of the State, when it regulates its occupation or executes buildings, public spaces and infrastructure. But also mainly as an effect of the sprayed action of thousand of individuals or groups that plan and build.

Instituto Presbiteriano Mackenzie

Coordenação de Aperfeiçoamento de Pessoal de Nível Superior

This dissertation aims to describe the basic characteristics of microstructured fibers, their concept and performance, and to investigate the application of a low loss microstructured fiber to the development of Raman amplifiers. An analysis of the use of these amplifiers in Telecommunication applications is described. To this end, simulations were carried out with these waveguides with the data of a real fiber described in the literature. Simulations were also carried out to determine the amplifier s net gain and noise figure and to establish the advantages of its use in a complete optical fiber span, including the compensation dispersion in the O band (1260-1360 nm). As a result, it was demonstrated that the microstructured fiber presents, in some aspects, a performance that is higher than that of conventional Raman amplifiers, and complementary to that of a commercial amplifiers, such as those based on Erbium doped fiber.

Acesso online: https://www.youtube.com/watch?v=6FJtUIRMzv0

Instituto Presbiteriano Mackenzie