RCAAP Repository

This essay aims to analyze experiences of rural smallholders from Presidente Olegário, at northwest of Minas Gerais, that, between 1990 and 2003, exchanged they source of income by agriculture to milk livestock. They are farmers from the communities by Lobeira, Capoeirão dos Badús and Três Barras whose hand labor used is mainly homelike, that survive, nowadays, by saling milk to dairies. We attempted to follow the trajectory of these subjects that, until certain time, they obtained their income from agriculture, but now survive mainly of dairy farming; to characterize the effect of this change in their routine and establish the relationship between changes in this space and chronological cut and restricted the activities of representatives of \"agribusiness\". The work also involves discussion of concepts such as \"family farms\", \"agribusiness\", \"small farm\", \"small farmer\", \"farmer\", \"farmer\" etc.. which refer to different ways of living and refer to productive processes in the field. The \"family\" category, for example, seems crucial for the kind of skilled labor employed in the properties, and they are home to the families who live there and produce. Finally, it broadens the discussion with questions such as the relationship between the state and agrarian structure; the various perspectives of production and relationship with the land attached to different sectors and social groups; and clashes between different ways of conceiving the field work and the relationship with the land.

La pesquisa intenta discutir la historicidad del texto teatral Um grito parado no ar (1973), de Gianfrancesco Guarnieri. Para eso, desarrollamos, primeramente, una análisis del pensamiento político del dramaturgo, leyendo sus piezas teatrales escritas en las décadas de 1960 y 1970; en según lugar, analizamos la pieza Um grito parado no ar, relacionándola con la realidad sociopolítica de su momento de creación; por fin, investigamos lo que Guarnieri denominó su Teatro de Ocasião . Consideramos la importancia de lo estudio en relación a las particularidades de ese texto teatral, fuente documental que nos ofrece vestigios para la comprensión de la situación sociopolítica brasileña de la década de 1970

This dissertation is about a research held in Ituiutaba, a city in the Western of Minas Gerais, in Pontal do TriânguloMineiro region, commonly referred to as Pontal doTriângulo or simply Pontal. This is an approach that concerns to the big rice farms from the municipality, between the 1950s and 1980s, highlighting the processing of this cereal and on what this activity has influenced the city and its inhabitants. With the aim of stressing this agricultural phase, many documents were researched, public and private ones, virtual or not; among them, newspapers, literature, images, IBGE data, memorialists, and posture codes.The research even incorporates reports and the production of a documentary video about those people who had their lives immersed in this complex context. In this view, we captured in audio and video the social experiences of those who had some connection, or that worked with, this kind of production in Ituiutaba, considered at that first decade, the Rice Capital , title that doesn t define the place anymore.The term opaque reflector impliesa distance from a moment to other. The figure of the reflector appears as an object that transmits light generated by electricity, that is, it belongs more to nowadays than to the past. At the same time, the term opaque refers to how difficult it is to see the past. Therefore, the opacity is related to what we can hardly see.

This text entitled The national culture in Arts, Language and Music: political and aesthetic in chronic Mário de Andrade (1933 - 1941) aims to discuss perceptions of the relationship between modernism and nationalism in the work of Mario de Andrade, especially in his chronicle. To achieve this goal we set out some issues between them that the writing of chronic marks a distinct perspective view of Mário de Andrade on the national. Another issue relates to the treatment given by Andrade to cultural themes such as art, language and music discussed in the perspective of its Brazilian characteristics. In this sense, we raised the hypothesis that for Andrade understand nationalism is not a territorial, economic and political issue, but, above all, cultural. Thus, in the first chapter, entitled On Chronicles, Nationalism and Mário de Andrade, we propose to reflect the chronicle and its singularities, that allow so we take as a relevant document for historiographical studies, such as present in this dissertation. Address we will also, in this chapter, on a discussion of nationalism and how literature was central to the discussions on the nation and finally, we bring a brief intellectual history of Mário de Andrade, raising important question of your life and work and begin the debate about the issues of national culture and nationalism are present in his chronicles. In the second chapter, Art, Language and Memory under the eyes and pen of Mario de Andrade, we will address how language and the language are presented in the chronicles, the importance of memory and preserve the same for the construction of national identity and how the author perceives as an instrument of his nationalist ideas. In the third chapter, entitled The National Music in chronic Mário de Andrade, discuss how the national music is treated in his chronicles and as the author inserts this artistic manifestation of nationalism in your project.

This research aims to analyze the representations of family, marriage, motherhood and women in Catholic Church s discourse, based on the apostolic and encyclicals letters, Catholic Church s Catechism, catechesis on human love, produced in the pontificate of João Paulo II. Through other written documentary sources and inspired by Vatican II, including the informative O Vagalume and Diretrizes para a Catequese da Diocese de Uberlândia, analyzed sources observe the reality of Uberlândia city. With the aid of theoretical and methodological references that address the social imaginary, social representations and gender, we analyze the practices of catechesis, considering the relationship between the texts of doctrine and religious practices of Catholic women entered this religious field. The gender category is used to realize how social representations are constructed and engineered into the religious sphere, but also to observe the deviations of some Catholic women to the standard dictated by the Church. The purpose of this paper is to discuss the fact that women who classify themselves as Catholic and practitioners present tensions in certain situations, different views regarding the doctrine and guidelines for Catholic practice. Feminist Theology in conjunction with the gender category is presented as a movement within and outside the Church, we noted the adverse attitudes and religious practices of Catholic norms. An attempt is thus highlight the historical, Women practices, particularities within the Catholic character, demonstrating multiplicity of powers, although exercised discreetly, is present within the Church.

The present dissertation seeks understanding the experiences of people from the goiano interior, specially in the rurais areas affected by UHE Serra do Facão from the religious festive practices having as a honored saint São Sebastião. The focus of the analysis will be the practical and rural knowledge Running along through religiosity of these actors as an expression of their ways of life so taht we can analyze how these factors as an expression of their ways of life so that we can analyze how these factors makes emerge cooperative relationships, identity links in its various forms of sociability, those tat are quite significant and widespread cultural brands during the celebrations, whether devotional or not, especially in rural communities where such relationships are narrowed, ths providing for that communities: Mata Preta, Anta Gorda, Lagoinha e Fazenda Pires, all rural areas of district of Catalão-GO, goinano southwest.

This paper proposes to study the social changes in the neighborhood and town of Alfonso Pena Sarandi from the transition from public jail urban area to the rural area. From this viewpoint, we analyze a set of measures that eventually transformed the relations of sociability that were rebuilt and reconfigured from Itumbiara urban transformations in the past decade. Thus sought to establish an approach that does not isolate the subject, the main actors of this process, but have sought to show how, in the relationship maintained with these social groups, it was possible to revise interests, values, and thus demonstrate how to live in the city from specific social relations. In this respect the movement of the subject cooperates for the city to be built and thus is constituted. I searched through the sources, newspapers, pictures, discuss how the design of consolidated retirement from public chain of urban space, and especially as the village of Sarandi absorbed the idea and the way it was implemented. The relevance of the suggested texts for reading and studying about the categories that confer legitimacy on social issues, and presenting themselves as central theme of understanding of the goals assigned to this work will be summarized.

The teenagers and children that lived between the years of 1964 and 1989 at the Fundação Nacional do Bem-Estar do Menor the FUNABEM institute in Viçosa are the social essence of this research. While working with their memories, I ve tried to understand the meaning of their habits and experiences in the institution, and also outside, in other areas of sociability. I have discussed about the meaning of living at FUNABEM and at the city of Viçosa, in that historical moment, with the purpose of rethink about the needy childhood and needy adolescence problem in our country. At that direction, I ve worked with very distinct social-nature sources, such as: handbooks, occurrences books and periodicals produced by the institution, letters, minutes of Viçosa s city-hall, the Viçosa s newspaper Folha da Mata and also oral narratives and photos. The theoretical-methodological suppositions of contemporary English Marxism, of cultural studies related to the subjects action in history and to the culture as a way of socially living and fighting, were paths that gave direction to this research.

In this research work, we aimed to compile the speeches uttered and/or made by the politician from Uberaba, Fidélis Gonçalves dos Reis, also known as Fidélis Reis (1880-1962), as well as the texts about him or collected by him - speeches, political projects, letters, memoranda, press articles, publications by his authorship and by other authors, with the intent to track his reflections about some main themes and problems which were targets not only of his concerns, but also of the political debate on the country, such as the economy, laboring, immigration, the population and the destiny of the Brazilian nation. The documents were gathered for being frequent subjects in the historical sources, highlighted and underlined repeatedly in different moments of the politician‟s trajectory, in his actions and articulations in the legislative scope and even in his daily actions like his memorial writings. The material contains representations and meanings which represent not only the object of his concerns but also his public and private relations, as well as his sociability webs that were settling down around the years of 1919 to 1934, thus drawing the outlines of a group of political themes. During the reading and the analysis for this research, it was possible to be in touch with the praising and the depreciative images of the nation and the efforts to formulate a perspective in which we can find common-places and common-backgrounds about the ethnic concepts, the enhancement of the races and the constitution of a Brazilian national identity. The research resulted in a reconstruction of an itinerary with which we proposed a reflection about some of the conflicts and the issues faced by his generation in the extent of the country‟s political culture during that historical period of time.

This work wants show the insertion of Charismatic Movement in Contemporary Catholicism en Uberlândia. From representations of evangelization, it seeks to understand analogies as Modernity/Tradition and Time/History/Religion, based on participation of young people in the Charismatic Movement. As a consequence also became necessary to address principles Vatican Council II, since it allowed the emergence of Charismatic Renewal, bringing their similarities and differences with the Protestant Pentecostalism. Furthermore, with the focus on charismatic young, it it important to examine some of his most expressive elements, such a Prayer Groups and the relationship of these young people with university.

Coordenação de Aperfeiçoamento de Pessoal de Nível Superior

This work investigates and make historical reflection about the creation and trajectory, throughout the 80 s, of a group of friends who together would come to create, in Recife/PE, in the earlies 1990, the mangue scene or Manguebeat Movement. Throughout this passage, we take as primordial objects: the creation, at 1984, and the trajectory of Mundo Livre S/A band; the radio program Décadas, presented between 1985 and 1987; and the musical experience of Bom Tom Rádio (possessing in its formation the deceased singer and composer Chico Science), between years 1987 and 1990. This work investigates the practice of the involved subjects in these processes, in concurrence with the historical transformations in the social and cultural life of Recife throughout the 80 s. Detached, on the part of our objects, the development of practices that inaugurate new ways of act and think about city s cotidian and its own place about the world, using music as critic expeditious and central agglutinant axle. In elapsing of the reflection, is also mobilized series of problems relative to the youthful pop culture of 1980 s in Brazil and all around the world, in the effort to get a better comprehension of our object in association with feeling structures wich are inscribled on the historical experience of a hole generation. The present discussion is realized with the analysis of audio registers of shows, assays, amateur and studio registers of the bands, scripts, and audio registers of the radio programs. We also use particular interviews done with integrants of the bands and the producers/presenters of Décadas program, such as: Fred Zeroquatro (Mundo Livre S/A singer and Décadas producer), Renato Lins (journalist and Décadas producer) and José Carlos Arcoverde (Decades producer and presenter and Bom Tom Rádio member).

Coordenação de Aperfeiçoamento de Pessoal de Nível Superior

Coordenação de Aperfeiçoamento de Pessoal de Nível Superior

Coordenação de Aperfeiçoamento de Pessoal de Nível Superior

This paper sims to analyze the experience of the rural workers specialized in sugar cane extraction. The goal is to understand how they develop their life and work relationships. The study was conducted in the city of Itumbiara, Brazil and the information requested from the year of 1970 up to the year 2000. By interviewing the workers this research tries to understand how their lifes developed focusing on the struggle to survive and assure theirs and their family survival. Analyzing the workers narration, it can be observed how was established different forms of coercion and exploration of the worker labor. It was analyzed the survival alternatives and the solidarity developed by the subjects of the present study. The objective is to understand the memories and history generated from the social relations and how the public policies construct and organize them. So this study looks from the perspective of the real person, how they elaborate their experience and how they behave.

Fundação de Amparo a Pesquisa do Estado de Minas Gerais

This dissertation is a research of the city of Governador Valadares (Minas Gerais) in the period between 1960 and 1970, attempting to identify modernization projects present discourses produced by the press - articles, advertisements, news - and the authorities public - reports , letter, and municipal ordinances. These discourses represent the city evenly, as a private space with a rational and scientific organization. Health, sanitation reforms reflect the processes of modernization and progress intended to the city. We also seek to understand how these modernization projects sought to cover other forms of representation of the city and its appropriation by men and women in everyday life, which also emerges from the documentation.

Coordenação de Aperfeiçoamento de Pessoal de Nível Superior

Coordenação de Aperfeiçoamento de Pessoal de Nível Superior