RCAAP Repository

This dissertation focuses on niilism in its differents imaginaries significances in order to draw a social and historical comparison. Which contrasts can be point between niilism, in connection with the meanings of temporality and individuality at 19th century Europe and United States and the contemporary? In the analyses of 19th century, the objects are russian and western european s revolutionaries (the narodniki and the anarchist-terrorists). Works of Ivan Turgueniev and Fiodor Dostoievki besides anarchists s speeches, memoirs and deeds are analysed to search some of the niilism s significances of that time. Within the comparative method, contemporary s significances of niilism are searched by the discution of self-help literature . This kind of literature is helpful to the reflexion of contemporary individual s insecurity and anguish and these connection with the construction of actual meanings of individual and duration.

Coordenação de Aperfeiçoamento de Pessoal de Nível Superior

Fundação de Amparo a Pesquisa do Estado de Minas Gerais

Coordenação de Aperfeiçoamento de Pessoal de Nível Superior

This dissertation analysis the memories made of the image of the artist and composer Grande Otelo/Sebastião Prata. Is makes problematic the images of Otelo built in present time, watching over the shape of its constructions and which interests they attend and, at the same time, seeks for the history of this process by standing out the different versions made over the artist along 20th century. It makes emerge through Grande Otelo a variety of times , that reveal the transformation of this society, analyzing the ways of life different characters. Such analytical path has allowed us to realize how Sebastião Prata has lived a modified experience , in which his multiple histories turn out to be publicity vehicles of innumerable memories.

This project has as the main purpose thinking about, from Olavo Bilac and Lima Barreto, the conception of city created around Rio de Janeiro which goes around daily in the press, through chronicles during the first two decades of the twentieth century. From this perspective, matching the readings and interpretations to notice the complexity of positions and projects in Federal Capital, from chronicles literature, the changes in action of the chroniclers, the symbolic construction of urban space civilized and modern, and the role held by the press in this debate, in line with the daily life and issues in vogue. Olavo Bilac and Lima Barreto left in the chronicles, their vision about a period of life effervescent in Rio, changed into written text a complex story of tensions and social relations. Lima Barreto and Olavo Bilac s chronicles show fight, conflicting projects, winning projects and unsuccessful projects, dreams realized and dreams postpones, what was planned, but didn t left the paper, what was and what could have been; desires, beliefs and social relations from which the chroniclers built their experiences. Lima Barreto and Olavo Bilac dealt with the city and its changes to each their own way, creating, in the press, from the physical city, desired cities: a capital-city referred to Bilac and Barreto what they want to Brazil.

Fundação de Amparo a Pesquisa do Estado de Minas Gerais

Fundação de Amparo a Pesquisa do Estado de Minas Gerais

Coordenação de Aperfeiçoamento de Pessoal de Nível Superior

Conselho Nacional de Desenvolvimento Científico e Tecnológico

Conselho Nacional de Desenvolvimento Científico e Tecnológico

Coordenação de Aperfeiçoamento de Pessoal de Nível Superior

Coordenação de Aperfeiçoamento de Pessoal de Nível Superior

Conselho Nacional de Desenvolvimento Científico e Tecnológico

Universidade Federal de Uberlândia

The present work has as objective to analyze the trajectory of the actor and Brazilian director Fernando Peixoto, as teatral critic, in the alternative press , specifically, in two periodic ones: Opinião, between 1973 and 1975, and Movimento, between 1975 and 1979. We search to understand the character differentiated of the alternative press during the period of the Brazilian military regimen, the heterogeneity of its proposal, its relation with the sectors of opposition of the country and the meaning politician to be part of this journalistic segment. The critical ones of Peixoto, in both the periodicals, are important documents to apprehend strike them that they occurred in the Brazilian theater: the artistic trends in dispute, the new forms of expression and resistance under the sign of the censorship and, mainly, the meaning of the enrollment of the critic for a politically responsible, transforming and conscientious theater of its function in the fight for national and popular aspirations.

Coordenação de Aperfeiçoamento de Pessoal de Nível Superior

Fundação de Amparo a Pesquisa do Estado de Minas Gerais

Coordenação de Aperfeiçoamento de Pessoal de Nível Superior

This research has as its theme Non-Governmental Organizations and their emergence as agents of civil society organizations in the reform of the Brazilian state, especially from the mid-1990s, during the government of President Fernando Henrique Cardoso. Assume that the Brazilian State is not a finished product but, rather, has always been in recasting, is to serve the interests of groups in power - in democratic periods (or almost) and in periods of exception - or search for greater efficiency and impersonality in weberian molds. However, the wider reform in recent decades by the protagonists MARS - Ministry of Federal Administration and Reform of State - for the first government of Fernando Henrique Cardoso (1995/1998) has brought a new element within the project of decentralization and reduction of State: the option of partnership with Civil Society, especially in the social area. The state acting as donor or public policy-makers and NGOs as providers of on-site actions to address specific situations and specific, that is one of the main features of the NGO-State. The action of these entities, many of which related to religious groups, political or business, coincided with the decline of traditional activities of social movements, has noticed this phenomenon since the end of the 1980s and that, according to some analysts, is the result the actual performance of the NGOs To better understand the relationship between NGOs and the State, there was a need for a review of regulations governing the granting of state subsidies in the three levels of government - federal, state and municipal levels - without losing sight of how their own bodies and Society calendar with a whole, see the possibility of a regulatory framework more efficient in that area.