RCAAP Repository

In the present study we analyzed the violence against women in the city of Montes Claros during the period between 1959 and 1983. Through the reading of lawsuits and oral sources and having as the theoretical referential the gender studies, we searched to notice how the relationships were organized in the domestic interior, on what ways violence occurred and how these were treated by the justice. Oral narratives of women who work as maids and lawsuits of body lesion, rapes, violent attempt on shame, homicide, theft and infanticides were analyzed under a feminist perspective. We perceived a preponderance of bosses (men and women) as defendants in the lawsuits analyzed. It became perceivable during the research that the gender conceptions imbricate to the ones of class and ethnic group created asymmetries and based various forms of violence between maids and their bosses (men and women).

The investigation aims to build a dialogue between art and society, from the reflection of the dramatic texts Medea of Euripides (431 BC), Medea Oduvaldo of Vianna Filho (1972), and Gota D água by Chico Buarque and Paulo Pontes (from 1975), including how the idea of tragedy is redraw with the movement of two different historical periods: the ancient Greece and Brazil in the 1970 s. These are two of the Brazilian reappropriate tragic piece of Euripides, in order to build a critical reasoning about the economic miracle of the military dictatorship, its authoritarianism, and the dynamics of a capitalist system that required more social inequality. The written works were analyzed, along the verses and songs from Gota D água main subject of this work. The musical theater of the brazilian s dictatorship period was taken into account for the approach of the play, beyond the development of her show the years 1975 to 1977 by director Gianni Ratto, in Rio de Janeiro and São Paulo. Understood the career of the authors, Vianinha and Ratto to find their esthetic and political ideas during this historic moment. To investigate the production, the program part of the show and the photos were relevant points in the research. Similarly, an examination was necessary on the categorical assessment that the critics had of Gota D água, indicating their views about a theater actually engaged for the period, holding a position that the staging of the play was what they called commercial ; big theater , and therefore only business, as was done in large rooms for shows. In the historiography of brazilian s theater, even with success in public, this work has been characterized as replication of the speech of the government s power for many intellectuals.

This work intends to conduct a study on the show A Engrenagem (1948) of Jean- Paul Sartre, staged in Brazil in 1960, under the direction of Augusto Boal. In this context it is appropriate to mention that I chose as the theme of the research scenario part of A Engrenagem of J.-P. Sartre held by the Grupo Oficina in 1960. the number A Engrenagem tells a story of struggle and controversy, which breaks a revolution that overthrew a dictator of a Latin American country. Jean Aguerra, a former revolutionary, he became a dictator, as fitted pressures peculiar to crush left the gear that he helped create. This research, therefore the main objective is to propose a rereading of the 1960s, through aesthetic experiences and policies of the Grupo Oficina, in light of the Sartrean drama (Jean-Paul Sartre). The first chapter deals with the reconstruction of the historical context of time (years 1950 and 1960) in which the event staged by A Engrenagem and the visit of Jean-Paul Sartre to our country, investigating the reception, impact and influence about ideas as well visit itself, of Sartre, in the middle of Brazilian s intellectual life. The intent of this chapter is to sign them and mark their relationships and overlaps in the historical context of the production of A Engrenagem in 1960. The second chapter deals with analysis of the structure and the proposed theme of the text, as well as the mounting part amid questions of form, content and adaptations. Then seek to recover the historicity of this scenario through its receipt by theater critics at the time. The third chapter discusses the broader relationship between philosophy and literature (fiction of Sartre) in Jean-Paul Sartre addressing the specifics of the Theater of Situations.

Cette étude se propose d'explorer le sens de l'action directe et son rapport à l'anarchisme. En premier lieu, rapprocher l'élargissement du champ politique en utilisant le modèle de la guerre forgé par Foucault dans ses écrits sur la gouvernementalité. Mon but a été de comprendre l'action directe comme une action politique différente de la conception libérale. Dans ce sens, j'ai cherché appuyer la recherche dans la pensée des théoriciens et militants anarchistes, comme Proudhon, Bakunin, Malatesta, Pelloutier, Pouget et d´autres. Cette démarche m´a permis de mieux compreendre le réseau de significations et résonances de l'action directe dans le mouvement des travailleurs, et en particulier dans le syndicalisme révolutionnaire et le mouvement anarchiste. Ensuite, l'analyse s´est tournée vers les écrits de Malatesta, surtout ceux qui ont caractérisé l'anarchie comme une organisation politique qui refuse certains types d´autorité et cherche une utilisation éthique de la violence. Cette recherche discute l'action directe en tant qu´une stratégie à la fois éthique et politique, qui met en place autant la violence que la persuasion ; c´est par l'éducation, la propagande, le boycottage, le sabotage et les révoltes diverses que ces deux dispositifs politiques (la violence et la persuasion) se rapportent l´un à l´autre. Enfin, l'étude approfondie de l'action directe permet la compréhension du politique au-delà du champ tracé par la démocratie libérale.

The work in screen seeks to think about the problem, in a process of constitution of the city of Uberaba, between 1865 and 1935, the social relationships schemed among the different social groups, which contributed to hide the participation certain agents. In that sense, I pursue the memorial writers registrations close to, historiography, municipal legislations and press place, the produced historical tracks and that send us the disputes for spaces in the city that involved the individuals with manners of living had as incompatible to the ideals built by the groups in the power of the place. In other words, project to give visibility to the social actors that in rule, were part of the popular layers of the city and that linked to the practices had as condemnable; such as: the "vagrancy", the alcohol, the game and the prostitution, which had his/her invisibility built in the memoirs and histories of the city, since, due to their manners of living discordant, could hinder the "formatting" of Uberaba of the dreams.

This master's degree dissertation looks for to understand the political and literary expression produced by Pessach: Carlos Heitor Cony crossing. It is treated of a committed romance politically that was bound initially in 1967. Through their characters' conflict the work approaches a typical dilemma of the sixties and 70: the engagement in the armed combat against the dictatorship. In that sense, the work relates the historical context with Cony's literary production, looking for to identify in the narrative elements that it composes partner-cultural aspects of the years 60. That involves the author's professional path, the process of artists' typical political engagement and intellectuals, the armed combat of sections of the left, the retaliation of Party Brazilian Communist to the romance Pessach and the reception of the work in the Brazilian press of the sixties and 90. The interdisciplinaridade proceeds as essential base for that research. In that way we based our perspectives in the methods of the New cultural history, for understanding that slope as a vast field that offers us contributions to compose the proposed relationships.

The sense of the urban patrimony, in the history of the cities, corresponds to the action of forming, to constitute and to protect a group of material and symbolic goods, with intention of preserving them to the future generations, through the tombamento instrument, or intuitive processes. In Brazil, after having instituted the tombamento with the Federal Law n.º 25/1937, grew up the notions of historical patrimony, historical monument and historical city. In Uberlândia, mineira city, however a city no historical , while the oldest architectures were tumbled as historical patrimony, the oldest place of the city passed to be denominated of Fundinho, a historical district. The objective of that work was to study Fundinho, among the decades of 1980-90, when began the creation, in his territorial forms, clearly on the urban nucleus. It was important to consider the two speeches and courses of the patrimony: the one of preserving it in the time to feed the memory with the memories of the places and of preserving the patrimony in the space to feed the architectures as "places of memory."

Coordenação de Aperfeiçoamento de Pessoal de Nível Superior

This paper reflects on the social practices of rural workers living in the city of Patrocínio in the state of Minas Gerais. Looking think a significant category of temporary worker because there is a strong presence at the city. Many leave their hometowns to find work in other regions of Brazil, the move is something that is happening in all of Brazil and especially in regions with the economy facing the agricultural sector. The crops considered are the seasonal attract more such workers in the Patrocínio predominant mode of production is coffee. The coffee began in the 1970s, employs a large number of rural workers, based on these data we elected to begin this decade also to my research, so the period of coverage is from 1973 until the year 2008. In this timeline I try to analyze and understand the experiences of workers within the social, reflecting through their experiences gathered in their interviews. The memory is perceived here as something built into the living historical process, so the lines are drawn from a common point that is social, as an environment crisscrossed by struggles and conflicts among the people who constitute it. I bring as a source not only oral but also written, use the Journal of Patrocínio, informational Acarpa - Association of Coffee Growers of Patrocínio, newsletters and manuals on the Nintendo - Center for Inter-Labor Conciliation, such as data and information coming from City Hall Patrocínio. We bring the dissertation as a written reflection of the social practices of rural workers in Patrocínio.

Coordenação de Aperfeiçoamento de Pessoal de Nível Superior

Coordenação de Aperfeiçoamento de Pessoal de Nível Superior

Mestre em História

Coordenação de Aperfeiçoamento de Pessoal de Nível Superior

Coordenação de Aperfeiçoamento de Pessoal de Nível Superior

Coordenação de Aperfeiçoamento de Pessoal de Nível Superior

Coordenação de Aperfeiçoamento de Pessoal de Nível Superior

Universidade Federal de Uberlândia

Fundação de Amparo a Pesquisa do Estado de Minas Gerais

Coordenação de Aperfeiçoamento de Pessoal de Nível Superior

Coordenação de Aperfeiçoamento de Pessoal de Nível Superior